Once layered with Rob’s great spanky strat fuzz tones in this section - we had a nice wall of sound and energy. Sticking with the trusty MD421 we dialed up some tones and hammered through the parts, getting into some gnarly fuzz tones in the breakdown using the Way Huge Swollen Pickle pedal. Ed normally uses a Princeton Reverb and his pedals were well set to work into a Fender clean type of amp, so he ran with my custom Blueverb (which is KILLER and loved the Filtertrons on the Gretsch he was using) and we set to work pretty quickly. Once Rob had nailed his parts and the video guys were happy they had captured enough footage, we moved onto stacking Ed’s parts in the chorus’s and breakdown. Take a listen to Rob’s flat guitar tone (just the MD421 and iD22) and his cool fuzz tone (again flat no EQ just raw mic into iD22 here:
#Valhalla vintage verb high pass professional
A feature that makes it truly professional for front-end use. OK so we used the classic Distressor from Dave Derr at Empirical Labs, but we did this to show the ability to incorporate outstanding outboard processors via iD22’s insert points. Listen to the final result in high definition here: A little photo diary of the iD22 Kielo recording session.įirst up, we decided that this video should show the overall quality of iD22 by not just telling you about it, but also letting you hear it.